重遇：何弢——香港建築師的跨界宏圖
Recollection: Tao Ho – The Multi-Disciplinary Visions of a Hong Kong Architect
 
何弢（1936-2019）是香港著名建築師及文化人。他在現代主義建築大師之間成長，深受包浩斯的原則和精神的薰陶。作為一位博學的通才，他涉獵的領域廣泛，包括城市規劃、建築設計、平面設計、繪畫、雕塑，乃至東西方哲學與宇宙科學等多元文化藝術範疇。
 
建築歷史學者黎雋維蒐集大量何弢未經發表的設計手稿、相片及資料，經過七年的整理與深入研究，還原何弢與香港建築、藝術及文化相互交織的跌宕人生，並記錄低香港文化歷史與建築設計的重要一頁。
 
Tao Ho (1936-2019) – a renowned Hong Kong architect and cultural practitioner. He was trained among the pioneers of the Modern Architectural Movement, and was heavily influenced by the principles and spirits of the Bauhaus. He was a polymath who engaged in a wide array of cultural endeavors from urban planning, architectural design, and graphic design, to painting, sculpture, Eastern and Western philosophy and cosmic science.
 
Through seven years of organisation and in-depth research into a vast collection of previously unpublished design manuscripts, photographs, and archival materials, architectural historian Charles Lai has reconstructed Tao Ho’s multifaceted life and its connection with the development of Hong Kong’s architecture, art, and cultural landscape, and documented a pivotal chapter in Hong Kong’s cultural history and architectural design.
 
| 目錄 |
 
0.0 序言 – 始於十六隻貓的研究 Foreword – A Research Beginning With Sixteen Cats
 
第一部 – 重訪：何弢的啟蒙時期
Part I – Re-visit: Tao Ho’s Formative Years
1.1 出生於大時代的何弢 Born into a Turbulent Era
1.2 接受包浩斯訓練的「文藝復興人」 ”Renaissance Man” with Bauhaus Training
1.3 在大師之間成長 Growing Among the Masters
 
第二部 – 重行：人生際會、思想與主張
Part II – Re-trace: Life Encounters, Thoughts, and Advocacies
2.1 教學 Teaching
2.2 平面設計 Graphic Design
2.3 從科學中探索創作 Creating from Science
2.4 「亂中尋序」 “Order in Chaos”
2.5 建築和文化保育 Architectural and Cultural Conservation
2.6 香港回歸 Handover of Hong Kong
2.7 香港特區區旗及區徽 The Hong Kong SAR Flag and Emblem
2.8 中央圖書館風波 The Controversy of The Central Library
2.9 中國文化的影響Influences of Chinese Culture
2.10 藝術作品與思想 Artworks and Thoughts on Art
 
第三部 – 重讀：論何弢的建築思想與作品
Part III – Re-read: On Tao Ho’s Architectural Thoughts and Works
3.1 起步 Getting Started
3.2 以技術作為建築表現 Using the Technical as an Expression
3.3 從未停步的海濱構想 Determined Propositions on the Waterfront
3.4 以「集群型態」架構多變 “Group Form” as Frameworks for Multiplicities
3.5 「琉璃的浪漫」 “Romance with Glass”
3.6 以結構表現演繹傳統原型 Structural Expressions as Interpretations of Traditional Archetypes
 
4.0 後記 – 未竟的實驗 Afterword – The Unfinished Experiment
參考文獻 Bibliography
 
 
| 作者簡介 |
 
黎雋維 Charles Lai，建築師（英國）及建築歷史學者，香港大學建築歷史博士，畢業於香港大學建築系及英國倫敦建築聯盟學院（AA），Docomomo香港分會成員，現任教於香港大學、香港理工大學及香港嶺南大學。黎雋維為建築設計及保育顧問事務所AO-NA的創辦人及主持建築師，主要從事與建築遺產和建築歷史相關的設計、保護、研究和策展工作。除學術文章及出版外，他亦經常為媒體或報刊撰文。他的主要研究範圍包括東亞及東南亞現代建築歷史、上海批盪的文化和歷史，以及歷史建築保育和改造設計。
 
An architect (UK) and researcher in the history and conservation of Hong Kong and Asian modern architecture. He received his PhD in Architectural History from the Department of Architecture at The University of Hong Kong, and a diploma degree from the AA School of Architecture in London.
He currently teaches at The University of Hong Kong, The Hong Kong Polytechnic University and Lingnan University Hong Kong. Lai is also a member of Docomomo Hong Kong Chapter. He is the Founder and Director of the architectural studio and heritage conservation consultancy AO-NA, focusing primarily on design, heritage conservation, research and curatorial work related to built heritage and architectural history.
 
Lai also writes regularly for academic journals and columns. His research interests include the history of modern architecture in East and Southeast Asia, the material culture and history of Shanghai plaster, as well as the conservation of historical built heritage.